
Stitch Estimation Embroidery Project
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Materials
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The worldwide standard for density is 4.0pts which is equivalent to 63.5spi (stitches per inch). Theoretically this is the master density setting for all systems, but not necessarily. Plus, there are various auto-compensation functions which change the density based on user-inputs such as fabric type. Therefore, it’s important that you run a quick test of your own. Set up a 1/2” X 1/2” filled square on your screen and assign it a density of 4.0pts/63.5spi. Make sure that no underlay has been added and no fabric (or other) compensation functions are activated. Take a look at the resulting number of stitches. I use the Tajima DG/ML by Pulse Microsystems software and found that the value for a ½” X ½” square is approximately 300 stitches, using fill pattern 1 (the default). Realize too, that different fill patterns will give different stitch counts. Start by creating a 1” long satin column stitch. Again, verify that the density value is set to 4.0pts/63.5spi. If you have an auto density compensation feature like I do, you will see that varying the width of the column will vary the final stitch count. This is because you should use a heavier density on wider columns and the software is trying to help you do that. However, it makes figuring out a value to use for stitch estimation a bit trickier, so turn off any Auto-compensation functions for satin density that your software my have. Once this was done on my system, the number of stitches for the 1” long satin column came out to 128. At first, this seemed entirely wrong, as the standard density setting is 63.5 stitches per inch, and I had just setup a 1” long column, so why wasn’t the resulting stitch count equal to approximately 63.5 stitches?
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Remember, depending on your software settings and the parameters entered into the computer, these numbers can vary! |
Print the logo out and verify that the dimensions are correct. Now place the grid that you printed out on the clear sheet over the artwork such that as many “whole” grids as possible are lined up over the artwork. Now sit back and think for a minute. Fills Obviously the blue area and the white area are going to be two separate sections of fill in the final design. At first glance, it would seem logical to estimate the blue area and then the white area, but why bother? The entire rectangular shape is going to be filled in, so just count the blue and white areas together as one, for estimation purposes. You should end up with 16 grids of coverage, with each grid being 300 stitches.
That pretty much does it for the filled areas. The rest of the design will be satins and runs, so you will move from the grid system over to the linear system. Letters Rather than trying to come up with an estimate of stitches per letter, which is not very accurate due to all the different fonts, shapes and sizes, just mentally break down each letter into separate column segments and measure their length. For example, the H is composed of two vertical satin columns, each just under a ½” in length and one horizontal section just under ¼” in length. Don’t get too precise (you’ll go insane), just average that out to a total of 1 linear inch for the letter, or 150 stitches total. Now estimate the rest of the letters and see what you come up with. Remember, it’s just an approximation.
Borders The white fill has a red border which will also be a satin column. Measure the total length to estimate the stitches. I came up with approximately 7.5 inches and will round it off to 8 inches.
Runs Finally, we have to deal with the people figures and this is really hard to measure. After several attempts, I decided to go with 4 inches. Using a value of 20 stitches per inch for runs, that comes out to 80 stitches.
Grand Total Stitch Count Comparison
The difference between the two was 658 stitches, much closer than I would have thought, and on the high-side for the estimate, which is a good thing. Of course, this design wasn’t too complex, so it was easy to work with. There is one other aspect to consider – underlay. |
It would be normal to have a significant amount of underlay below the filled areas. Since the remainder of the design is on top of the fill, which provides a stable base, there would likely be little or no underlay required for the letters or the border. Depending upon the garment that it is being sewn, the fill estimate could range from (30% to 70%) 1140 to 3360 additional stitches. Another factor that affects stitch count with columns and fills is stitch angle. Changing an angle 45 degrees could easily increase the stitch count by 10% or more. Also, some software systems treat jumps as stitches. Well, that about covers the concept of Stitch Estimation, using grids and linear measurements. Take the time to experiment with some existing designs, so that you know a true stitch count for comparison purposes. Use the results to adjust the values as necessary. As a precaution, I would recommend that you consider adding about 25% more stitches than your estimate, as there are so many variables in the digitizing process, especially if someone else is doing the digitizing. And, if that’s the case, be sure to discuss “standard” stitch counts with that person, so that you are in tune with him/her and their software. Good Luck! |
































































































