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Italian Lace
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Italian Lace Embroidery Project

By   Stitchitize   on   April 24, 2015

PROJECT DETAILS

SKILL LEVEL
Some Experience
TIME REQUIRED
02:00
Description

Stitchitize has created these designs in embroidery to emulate the heirloom look and quality of hand sewn Italian lace.

Project Preview Video

Materials
  • 40-60 weight cotton-look polyester thread in white
  • Bobbin
  • Water-soluble stabilizer
  • Hot glue gun
  • Sewing machine

  • Designs used in this project

    Final Product: What You Will Create

    Preface:
    Stitchitize has created these designs in embroidery to emulate the heirloom look and quality of hand sewn Italian lace. Stitch types, angles, and fills have been used to produce a special effect. These designs can be used in home décor (doilies, framed art, table linens) and fashion (collar insets, hems, trims).


    Step 1:
    Roll and insert a bobbin to match top thread. For a more authentic Italian lace look, we recommend using a 40-60 weight cotton-look polyester thread in white.


    Step 2:
    Hoop 2 layers of water-soluble stabilizer. The fabric-like stabilizers such as H2O gone or Aqua-Magic sew and dissolve best. Plastic film stabilizers do not work well for lace.


    Step 3:
    Sew entire design. Remove from hoop and trim excess stabilizers from edges. If you are sewing more than one design in order to piece together (doily, vase, etc.) or adding to fabric (tablecloth trim, collar insert) Do Not wet down until sewn together. Trim the stabilizer as close to the stitches as possible without cutting the embroidery. If you are not piecing/sewing together, such as a single floral design for framing, advance to step 6.

    (Click Image to Enlarge)



    Step 4:
    Note: Italian lace butterfly pieces can be sewn, wet down, dried, and assembled using a hot glue gun.

    (Click Image to Enlarge)



    Step 5:
    Once all pieces for your project have been sewn and trimmed, set your sewing machine to Zig-Zag with a stitch length of 4 and a spacing of 0.70 . Using the same thread and bobbin and with the edges of 2 pieces touching but not overlapping, slowly sew each piece together. Be sure to backtack at each end of seams.

    (Click Image to Enlarge)



    Step 6:
    Once all pieces have been sewn together, soak 2-3 times in warm water to rinse all stabilizer away. Press if necessary and let dry approximately 24 hours. If you are making a doily, place several heavy books over it in order that it dries flat.

    (Click Image to Enlarge)



    Step 7:
    (Click Image to Enlarge)
    Framed Butterfly.


    Step 8:
    (Click Image to Enlarge)
    Butterfly Brooch.
    Meet the Author: Stitchitize
    Stitchitize
    The name Stitchitize was coined and registered in 1988 when the Conquergoods sold their first contract embroidery business. “Stitchitize” was coined as the art of digitizing stitches for machine embroidery. The company actually started developing embroidery designs in 1983 and soon saw the need for Stock Embroidery Designs. By 1988 the company had several thousand Stock Designs to sell, however the majority of their development was still geared towards the commercial embroidery market. It wasn’t until 2001 when Trevor, the Conquergoods eldest son, now managing Stitchitize, saw the opportunity to start developing designs for the emerging domestic embroidery market. In 2002 the Conquergoods opened a Sewing Centre selling domestic machines and embroidery models. The staff members that were hired for the Sewing Centre were all accomplished sewers and they worked very closely with the Stitchitize staff developing new designs. It soon became apparent that project based designs would be well received by the consumers. In late 2003 it was George Conquergood, the patriarch of the family that suggested the poem and storybook “Twas The Night Before Christmas” as a good place to start development. The manager of the Sewing Centre at that time, Brenda, was an accomplished artist and she was given the task to prepare the graphics for the storybook. Her drawings were then given to the digitizing department under direction of Beverley and her sister Linda the actual digitizer to execute. Another Sewing Centre staff member Darlene had the task of sewing the original prototypes, which eventually became an even bigger project. A quilt was also developed and Darlene and graphic artist Colin began the task of photographing and documenting every step of the construction process. Finally the collaborative efforts of eight staff members brought the project to completion and the production of the CD. To have the last word, George decided that as part of the product launch in 2004, Stitchitize would give every dealer a personalized copy of the storybook as a Christmas gift. The Conquergoods commercial production manager Darcy was brought in to discuss the logistics. Some of the pages in the book had over 24 colours and up to 42 color changes. Darcy was given the task to pleasingly reduce this to a maximum of 15 colours per page, as that was the maximum number of colours that their largest commercial machine could handle. He did this and started production of the over 200 books required. Darlene got to assemble all 200+ copies on a domestic sewing machine. The books were completed and sent out to all the dealers for Christmas 2004. The following year George suggested the development of the Mother Goose 1 & 2 Collection, which was so well received that a second collection, Mother Goose 3 & 4 was produced. The graphics and nursery rhymes came from the original book “Mother Goose and her Goslings” which had belonged to George’s mother when she was a child, and read to George as a child. That book is now over 100 years old. Other collaborative works included the FSL – 3D Flowers & Butterflies Collection, Italian Lace Collections, Mardi Gras Masks and the 13 Stitchitize Bees, which were fully tested by consumers in the Creative House Sewing Centre classrooms.
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